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Old and somewhat tired, but I can't quit & I'm still doin' it. :)

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Tod_TVI

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45 years ago! I'm curious what you were recording with then. Mono, stereo, or did you have an actual 4-track or some other fancy machine?
Hi I'm Tod, better know at Tod_TVI here on SP.

Like Tim Nash, I've been around and recording for a while, only a little longer, some 60 years, I'm now going on 82 (Born 1943).

My main beginnings started in 1962 when I went on the road with a Las Vegas show group called the Millionaires. This group was very, very different from any of the other groups that I ended up playing with during my career. But I learned a lot, so much so, that it's what carried me on to a life as a musician, recording engineer, and producer.

I bought my first tape recorder in 1962, just before I went on the road with the Millionaires, it was a 2 track stereo Ampex recorder. I didn't get a chance to really start using it until the mid 60s, 1965, 66, 67, etc.. So in 65 I started doing a little recording on my Ampex using what was called, "Sound on Sound".

At this time I was also playing "Solo" in a few night clubs and social groups in the Kalispell area. All I had at this time was a Thomas organ along with my guitar. The Thomas also had a built in programmable Rhythm Section along with the usual bass pedals. That organ along with my guitar worked quite well together, not only for playing solo, but also for recording my songs.

This is a song I wrote that is one of the very first I recorded on the Ampex. I call it "What's Your Name & What's Your Game".



It was in 1967 I put my first trio together, I had this trio until the mid 1970s. It was 1968 there abouts, I ended up with my trio in the VFW club on the main street of Kalispell. We became quite popular and I ended up setting up my first recording studio in the back of the VFW club.

At first I mainly recorded some of the songs I played on stage. They turned out rather bad by today's standards, but sounded pretty good in them days. Good enough so that the local TV station, KCFW, asked if I could use the recordings to pantomime my songs during their noon day TV show. So I became a TV star for a couple of years. Haha, well not quite a star, but I did get a lot of experience with my old Ampex tape recorder.

It was 1970 I built my first actual recording studio, at that time all I had was a couple of TEAC 4-track recorders. Then in the early 1970s while attending my first AES (Audio Engineering Society) convention in LA, I got to know a fellow by the name of Tom Hidley who had a studio in LA. Tom, famous for his Westlake Control room designs, invited me to take a tour of his studio. Haha, little did I know, he had an ulterior motive and I ended up buying a Tascam 1/2 inch 8-track tape recorder from him.

So here we are today, on SP. I actually joined VI-Control in 2005 I think it was. It was much different than it is today, although I'm very glad Mike ended up taking the reins, he's done a great job. You know, being 82 I'm not sure how much time I have left, I'm just trying to make the most of it I can. I've always loved music and every thing that goes with it, so here I am my friends, I'm anxious to see and hear what you all been doin'. :2thumbs::)
 
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Hi Bob, thanks for asking. Yes I have a complete update for it, I just haven't had the time to get it set up on my website. Would you be interested in it?
 
Hi Bob, thanks for asking. Yes I have a complete update for it, I just haven't had the time to get it set up on my website. Would you be interested in it?
Definitely interested in checking it out. But there's no rush. I would post a commercial announcement here and/or on VI-Control when the update is available.
 
Actually Bob and Paulie, I've got the Pedal Steel ready to go now, I just haven't had enough time to put any tutorials together for it.

By chance do either of you use Reaper?
 
Okay Bob, the only reason I ask is because I've got a special Toolbar set up in Reaper for making the Steel easier and faster to program. However, the Toolbar is not at all necessary for programming the steel.

Let me ask this Bob and Paulie, do either of you have any projects that you are either in the process of working on, or maybe projects coming up that you might like to have a Pedal Steel included on as an instrument?
 
Thanks TIm, if I remember correctly, you started out with a tape deck too. At least I think it was you. :)
 
Thanks TIm, if I remember correctly, you started out with a tape deck too. At least I think it was you. :)
Oh man, when that Fostex x-15 came out in the early 80s I leaped on it... couldn't believe I was able to record 4 separate tracks, in my bedroom. Mind blown. Second time mind was blown was when I got the SPX90 and we actually had reverb and other effects, I think that was almost more amazing.
 
.. couldn't believe I was able to record 4 separate tracks, in my bedroom.
I started out in the early eighties, doing ping-pong recording between a (borrowed) stereo tape recorder and a cassette deck. Following several hardware sequencers, early nineties, I moved on to a Tascam 488 with one of the eight tracks doing SMPTE-sync to my Atari running Cubase. It felt crazy professional at that time.
 
I started out in the early eighties, doing ping-pong recording between a (borrowed) stereo tape recorder and a cassette deck. Following several hardware sequencers, early nineties, I moved on to a Tascam 488 with one of the eight tracks doing SMPTE-sync to my Atari running Cubase. It felt crazy professional at that time.
I had the 388 Studio 8! Still have the tapes actually. Definitely felt crazy professional, just like you said. :thumbsup:
 
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Okay Bob, the only reason I ask is because I've got a special Toolbar set up in Reaper for making the Steel easier and faster to program. However, the Toolbar is not at all necessary for programming the steel.

Let me ask this Bob and Paulie, do either of you have any projects that you are either in the process of working on, or maybe projects coming up that you might like to have a Pedal Steel included on as an instrument?
No, I have no immediate need for a pedal steel, just a long term interest in getting there eventually. I tend to collect VI's because I plan to use them someday. It's called GAS.
 
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I wonder what the next technology will be. DAWs make things so easy now. I guess brain/computer interfaces aren't far off.
 
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I wonder what the next technology will be. DAWs make things so easy now. I guess brain/computer interfaces aren't far off.
Well, we're already at the place where AI is writing and creating the whole song for you, which is very sad. I think the most troubling of all this is that there are those who will call it their own.

Regarding future DAWs, I'm sure AI will become part of it and it's almost scary. However, if we look at the DAWs we have today, they are basically mimicking what we were doing back with mutitrack-tape, only in a much more futuristic and granduare way, because of what computers and virtual technology has given us.

I think there is a tendency for AI to take over everything. I think the big remaining question could be, will we humans allow it?
 
From what I've read so far on AI, it doesn't work at all like the human brain and never will be able to. The brain is still the superior tool. And it seems the brain/computer interfaces are already here to some degree. I think in a few years AI will be just another tool in the tool box. AI taking over the world makes for good SyFy , but why would AI want to? The real problem with AI is it's ability to do so many current human jobs. How will we as a species deal with the fact that not everyone needs to work?
 
I started out in the early eighties, doing ping-pong recording between a (borrowed) stereo tape recorder and a cassette deck. Following several hardware sequencers, early nineties, I moved on to a Tascam 488 with one of the eight tracks doing SMPTE-sync to my Atari running Cubase. It felt crazy professional at that time.
DAT was the final piece in the puzzle... an affordable, CD-quality mixdown deck, at last! Got me my first library placements with Network, which was a great company to work with. Thanks Larry Groupe!
 
DAT was the final piece in the puzzle... an affordable, CD-quality mixdown deck, at last! Got me my first library placements with Network, which was a great company to work with. Thanks Larry Groupe!
I forgot to mention that, indeed, I was mixing down to a Sony DAT recorder. As all the synthesizer stuff was sequenced from the Atari, mixing down to DAT earned the "Direct to Digital" moniker :cool:
 
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